Caoimhín Ó Raghallaigh & Thomas Bartlett.

The stark power of his singing is tempered by sheer musical intelligence that is matched by the playing of Dennis Cahill and Thomas Bartlett (Bartlett’s restrained and inspired playing on ‘The Pink House’ is masterly. The ensemble offers a dynamic play between the instruments that, like so much of the music on this album, creates a rare and exhilarating kind of beauty. Listen to Caoimhín Ó Raghallaigh as solo player on a hardanger d’amore on the opening of this track being slowly joined by other instruments.
MAILING LIST (An Chúil Daigh Ré, Elizabeth Kelly's Delight, Billy O'Rourke is the Boy, The Millstream, Rolling in the Barrel, The Tap Room, Tom Doherty's Reel) The aim is control and subtlety, the maintenance of a single emotion, and then the release of a soaring energy. The music is nourished by diversity and range, it is open to the world, but it is also rooted in Ireland; it comes from a close study and deep knowledge of a tradition strong enough to be played with and enriched.In the music of ‘The Gloaming’, there is also a tension between complexity in studio work and arrangement and a sort of simplicity and directness in the way the music hits the listener’s nervous system. Iarla Ó Lionáird, Martin Hayes, Dennis Cahill. It was released on January 20, 2014 on Real World Records, and on Brassland Records in America, Justin Time Records in Canada, and Planet Records in Australia. While a couple of tracks had been earmarked for inclusion, there was a degree of flexibility from the band over the ultimate tracklisting. What you notice first in the work of ‘The Gloaming’ is the energy that comes from the clash and then the connection between tradition and innovation, between following contours that have been inherited and then creating a new tonal realm for that very inheritance. The Gloaming was completed in the summer of 2013 before the band returned to the road for a sell-out tour stopping off at London, Amsterdam, Paris and New York. A recording of "Samhradh Samhradh" made during those very first Grouse Lodge sessions in early 2011 was used in the final cut of the record.As has become a signature of The Gloaming's music, several of the ten tracks that comprise the record consist of traditional material originating decades or even centuries ago that has been arranged by the group using a modern palette. Following the quintet's sold-out three-night run at Dublin's National Concert Hall in February 2015, their debut album won the Meteor Choice Music Prize for Album of the Year, beating competition from acts such as "Allistrum's March" was used in episode four of the first season of British comedy-drama Credits are adapted from the album's liner notes. )When you listen to a track like ‘Doctor O’Neill’ on this album, what emerges is the brilliant intuition and unique tact of the band. Information in brackets indicates individual tunes featured on a track. The Gloaming is a contemporary Irish/American music supergroup. In the versions here of poems ranging from a lament by the seventeenth century poet Eoghan Ruadh Mhac an Bhaird to work by twentieth century poets such as Seán Ó Riordáin and Liam Ó Muirthile, Ó Lionáird has a lovely way of lingering on a note, taking his time on a phrase, varying the way he approaches a line ending.

Iarla Ó Lionáird’s voice has a force that is both haunting and tender. What you notice first in the work of ‘The Gloaming’ is the energy that comes from the clash and then the connection between tradition and innovation, between following contours that have been inherited and then creating a new tonal realm for that very inheritance. Its members are fiddle player Martin Hayes , guitarist Dennis Cahill , sean-nós singer Iarla Ó Lionáird , hardanger fiddle player Caoimhín Ó Raghallaigh , and pianist Thomas Bartlett .
In the playing of Martin Hayes and Caoimhín Ó Raghallaigh there is always a melancholy undertone which becomes more forceful as the music lifts and entertains the possibility of joy, paying attention to the rhythm and the melodic line while offering homage to high and hard-won emotion. The album received widespread critical acclaim on its release and is considered one of the finest recordings of 2014.In April 2011, the Irish Times reported that a “supergroup” made up of some of the biggest names in traditional Irish music had met for a collaborative session at Following more highly subscribed live outings in late 2011 and early 2012, the band entered Grouse Lodge Studios for a two-week period in August 2012 to record definitive versions of pieces they had been performing live up to that point, with a view to completing an album. For example, album opener "Song 44" features lyrics adapted by vocalist The album received extremely positive reviews from critics.


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