The opera house is plunged into chaos. And from what I have heard, the Phantom of the Opera is kind of “the mother of all plays.” It’s really cool to hear about it from the perspective of someone that is much more theatrical than myself, because I would not really know how to critique such a piece other than, “wow, that was really cool,” or finding myself falling asleep halfway through. All he can do is watch and worry that the Phantom will hurt her.The music capability to throw warning to the wind and to grant into the dark factor. Plain and simple.

The song the point of no return in the movie.

However, your explanation completely cleared that up. Thanks for the question.Piangi is the lead male vocalist, kinda like the Prima Dona (they are actually lovers)anyway, Raoul was planning on having the phantom captured by the police since they knew he would be attending the play what with Christine playing the lead. The story, based on the French novel by Gaston Leroux, is of a hideously disfigured genius who lives under and Opera house in Paris in the late 19th century. The movie seemed as if the musical had been taped in high definition and some set pieces were added in. Since this song is performed by the Phantom and Christine for an audience...it is a hidden message within the larger play. “Compelling” was the perfect word to use. She stands defenseless against his power over her and silent.As for the movie, I preferred the casting of Christine by a landslide, mostly because it wasn’t Sarah “I can’t make my eyes smaller than the moon and my voice softer than Alvin and the Chipmunks” Brightman. The Phantom of the Opera (Original London Cast)'s Phantom Of The Opera - Point Of No Return Lyrics music video in high definition. I enjoy the imagery of each line. It was so true, and the move was made me proud time and time again. But when she unmasks him he decides to take her to the dungeons.. and then Raoul panics (i didnt notice him crying)Still doesn't properly answer the original question.At what EXACT time does Christine (in movie) realize it's actually the Phantom instead of Piangi?In the stage version, both Phantom and Piangi didnt show their faces (in the role of Don Juan), so noone could recognise.

He fails and then she tears off his mask, revealing his face. .
(PASSARINO leaves. He then kidnaps her and brings him to his lair.Can everyone listen to my cover of the point of no return please? It's a love story between this man- the Phantom (or Erik, in the novel), Christine, and her friend -and soon fiance-, the wealthy and attractive Raoul. Christine, heartbroken, tells the Phantom that it is his soul that is deformed, not his face. It’s a hard thing to do to appreciate something that is kind of racy.I’ve only seen the movie version of “Phantom of the Opera” so I have somewhat of an idea of everything you bring up. In my mind, I've already imagined our bodies entwining, defenseless and silent. She does so against the express wishes of Roaul,who can only stand by helpless as she lures The Phantom. It has a double meaning for the Phantom, and Christine definitely picks up on this and even plays to it. Piangi’s garroted body is revealed backstage, the cast and audience fly into a state of panic, and the Phantom seizes Christine and flees the theatre. It is obvious they were picked carefully. An award winning musical composed by Andrew Lloyd Webber. She responds by removing the Phantom's mask, so that the entire audience can see his deformed face.

The song is part of the Phantom's opera, Don Juan Triumphant, which he forces the opera to stage. And now Mein Damen und Herren, Mesdames et Messieurs, Ladies and Gentlemen we have reached the end of the semester and the end of this class and therefor, the end of this blog. Sad but true, so here it is: The Least Bastardized Movie Musical made… “The Phantom of the Opera”!! I admire this song, not for the subject alone, though who can say they’re against it? Why, you ask,


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