December 27, 2004 The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket.

Another problem I had is that I should fee a sense of fear from the Phantom, but they don't give us any thrills are questioning, just Gerard Butler running around in a mask. Man, this novel has been adapted to death, then back again actually in the form of a phantom, then back to death again, but now, we've got ourselves a little twist... and no film adaptations since, so that should probably tell you about how well this film did with critics... even though it was a booming financial success and hit with audiences, though that's probably because the non-critic drama geeks likely didn't know about Joel Schumacher's filmography.

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It took them, like, 78 tries, but they finally got the musical version, which, in all fairness, didn't hit the stage until nearly 80 years after "Le Fantôme de l'Opéra" came out, but that still narrows the number of adaptations down to about 43 since 1986.

Duane Lee Chapman Jr.

A film like this, on the other, regardless of what the critics say, is what Butler and Schumacher should be gunning more for.

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The musicality's driving the plot along isn't quite as awkward as I expected, yet awkwardness is there, and common within the musical aspects, and with the musical aspects being so exceedingly prominent in the story structure, you better believe that this film's plotting is often rather problematic.

The Phantom of the Opera is a true masterpiece, it not only fully realizes the vision of Andrew Lloyd Webber's musical, but it also retains the spirit of the original novel. Horror, Special Interest, Just confirm how you got your ticket.Fandango

Without the 1925 version of The Phantom of the Opera, starring Lon Chaney Sr. in the eponymous role, there would be no Universal horror lineage.

The Phantom Of The Opera is one of the most beloved musicals to hit the screen and stage.

Based on the hit musical by Andrew Lloyd Webber, the tale tells the story of a disfigured musical genius that haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants.

cinematically translated Webber's musical adaptation as well as humanly possible, |

Please enter your email address and we will email you a new password. Minnie Driver is quite underused as Carlotta Giudicelli, and quite frankly, I'm surprised and a little upset to say that I'm glad, because although Driver has proven herself to be a competent actress, in this film, she slips up, turning in a terrible Spanish accent to make all the worse the overbearing overacting that makes her much more obnoxious than effective as the antagonist, and while no other performance proves to be that faulty, only so many people really standout, due to restraints in material, yet do expect to see quite a few charmers in the secondary or even tertiary cast, and quite a bit of compellingness within the lead cast. December 23, 2004

If nothing else, Schumacher delivers on thorough entertainment value, proving the consensus' statement that this film is "boring" to be particularly wrong by keeping everything lively and colorful, with occasions of true depth, and while such a formula has enough missteps to plague the film with shortcomings, it gets the final product by as a rewarding piece. I have never seen the original Broadway musical so I may not be the best source for a review, but I have listened to these songs before, and I can tell that they did a fine job at making the songs on the big screen. Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.

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