40 min watch. By continuing to browse the site you are agreeing to our use of We have reopened some of our venues. His photographs always draw the eye, but I was particularly enthralled by his ‘Exiles’ series, a documentation of the gay community in New Delhi, which is as clandestine as the alcove it occupies on the second-floor. The fact that the Queer masculinities, Black Masculinities and the masculine through the eyes of Women were supplementary sections on the second floor?

Masculinities, Barbican review: an impeccably woke exercise in sticking it to the man 3. It is, in short, a lot. We put manhood under the microscope in a series of videos, articles, playlists and podcasts.

Find out more about joining Young Barbican or with questions about your membership. Get the whole family involved in 'Masculinities' with our interactive exercises exploring the themes of the exhibition.

It’s another supposed display of vulnerability – here described as “‘leaky masculinity,’” a masculinity not up to standard – and yet, it’s one of the more discomfiting, even threatening, pieces of the show. The photographs in themselves, however, are intimate, are vulnerable, are human. We are unable to accept unsolicited CVs for any positionsFor any press enquiries, please use the email below or visit If you're not sure where to direct your enquiry, contact Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. Take a walk around our Masculinities exhibition in a full length tour with Barbican curator, Alona Pardo. It’s also a lot of words and analyses that make you feel like you’re taking an Intro to Gender Studies course in the 1980s, only now sprinkled with modern buzzwords like ‘toxic’ and ‘fragile’ masculinity.“Coplans reveals the white male as someone who is not necessarily powerful and strong, but as someone who is also human and vulnerable.”Coplans’ work isn’t racialised at all – being a white man he has that advantage – so already I wasn’t convinced of that angle. Following the same vein, Masahisa Fukase’s ‘Memories of Father’ series is poignant and considered.

Everyone who visits us will need a ticket in advance. It's good to hear when we exceed your expectations... and when we could do better.Age 14-25? Forget hot girl summer, this is hot boy winter in an excellent exhibition at the Barbican. Some works seemed trite: alternating videos of men shouting and crying; soft, aesthetically driven portraits of soldiers, of sports players, of cowboys. Is that something to comment on? The Barbican’s sprawling exhibition features over 300 artworks that chronicle the presentation of ‘masculinities’ in photography and film from the 1960s to present day. The film forces us to be a voyeur to an act that seems too close to fetish. The veiled violence of this piece offsets the more nostalgic and tender portraits of fathers from the other male artists in this section and was a quiet revelation.

Is he doing this because we’re watching? Unsettling in a much more visceral way was ‘My Mother’s Cupboards and My Father’s Words’ by Anna Fox. I applaud the confusing juxtaposition of it against his other series, ‘Family’, which confronts us with unsettling power dynamics through the persistent presence of an often comical, nude female family member in otherwise traditional family portraits. Please note you may need to update your password. Does the Barbican’s Masculinities exhibition have important things to say about men?

In some ways I feel the exhibition should have started with this, rooting the question of masculinity in an area which almost everyone can find relevance and relation.There were some epics in the form of Richard Billingham’s ‘Ray’s A Laugh’ and Larry Sultan’s ‘Pictures From Home,’ which both explore the complex idea of a son’s perception of his father. Yes, we could go into specifics – A similar conflict occurs again with ‘Untitled: Pissing’ by Knut Asdam – a half-hour reel of the artist relieving himself, cropped to his dampening trouser-clad groin.

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