Essentially, they are major scales / modes of the major scale with an extra note added.

I have a question, when altering a chord say Dmin7b5 I know how to Dmin I have an idea how to spell but I need some help.GuitarCommand.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.GuitarCommand.com also participates in various other affiliate programs, and we may get a commission from purchases made via links from our site. Once you master these two, make sure you learn all other positions as well.Below the scale chart, you’ll find some more tips on how to practice scales, as well as understand how to use them.In some examples, the fingering deviates from the rule, in which case I put the fingering underneath the notation.Another good starter exercise is to play each note of the scale When you have the previous examples under your fingers, you’re ready to learn some scale patterns.In this scale pattern, you’ll play the C major scale in In this next scale pattern, you’ll play the C major scale in When we first start learning guitar scales, we usually play the scale vertically on the neck, from the lowest to the highest note in a particular position. The extra note produces a pleasing chromatic effect, and also helps improvisors finish their improvised phrases on the desired beat.Dominant, major and Dorian bebop scales are frequently used by jazz musicians in bebop and post-bop styles.For more information on bebop scales (with notation and TAB), see: There are many other scales used in jazz guitar improvisation. (By contrast, using chords / arpeggios is known as ‘vertical’ playing. Don’t think about where you place your fingers too much, but work with your ears.In this example, you start on the high E string and work your way down to the low E string.You can also play the notes of the C major scale on In this first exercise, you will play on strings 1 and 2:You can pick any string set you like, here’s another example on Instead of playing the scale melodically (note by note) you can also play it The Ionian (aka major scale), Dorian and Mixolydian scales are called There are 7 modes, but in this lesson we’ll only have a look at 4, to keep things simple:Music theory tells us you should play the following scales over each chord:The problem with this theoretical approach is that it’s not very convenient because you have to think about another scale on every chord.The good news is that these 4 modes all have the same notes:As you can see in the table above, these 4 modes all have the same 7 notes, namely the notes of the C major scale (C D E F G A B), they just start on a different note.This means we can pick one scale (usually the scale of the Imaj7 chord), and use that scale to play over all chords that are within the key.In the following audio example, I play the C Ionian scale up and down over a ii V I vi backing track, and you will notice all notes are in key:Playing scales like this is good for initial practice, but it doesn’t sound very musical.In the following example, I play the same scale over the backing track but in a more creative manner.When using scales to improvise, your musicality will dictate how you play them:Here’s a more musical example of how you can use the C Ionian scale over the same ii V I vi chord progression:In this minor blues scale study, you will be using the minor blues, Dorian, Aeolian, and Phrygian dominant scales.Question: my jazzharmonic-theory book says, phrygian mode is like that, in steps:Hi Johann, the Phrygian scale is indeed the 3rd mode of the major scale. Click image for more Dorian scale shapes.


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