Do they drive their own stories (or, indeed, their cars)? The fact that a filmmaker’s gender correlates with the test, we can stop arguing about the merits of the Bechdel Test and start discussing Hollywood’s diversity problem (i.e., 85% of filmmakers are men...more on this later). "But the sad truth is, this isn't surprising when taken into account who is voting for the movies nominated. The ongoing inequality (according to the latest research, women are only playing 39% of stage roles in the UK, writing 32% of the plays and directing 39% of them) inspired the I’ve asked myself other questions too. Two female characters (preferably named), Who talk to each other, About something other than a man. Do their stories empower them or punish them? Are the actors asked to wear costumes that make them feel uncomfortable? Are they respected in rehearsal? How many of the cast are women, and what percentage of the dialogue do they speak? Add your voice! The Does the play support the status quo or does it invite the audience to imagine, to think, to make change?If the play is funny, do the women have any funny lines? Do the female characters have agency? I was determined not to reinforce the madly outdated idea that feminism can’t be funny, so I hope my play passes this test, at least.The questions don’t stop once a play goes into production – in fact, a director can make a huge difference by reinterpreting a play through a feminist lens, or casting gender-blind. Bechdel test concerns lesbian issues (as in lack of portral, or even hinting of f x f relationships, causing a feeling of alienation in young lesbians). The test became a regular topic of debate with my friends; many of us felt the test was somehow trying to trick us because of the seemingly impossible expectations it employed.

The comic strip that popularized the test was titled "The Rule," and it says that to pass the test the movie must have three things. Other questions to ask might be: how many of the creative team are women? All rights reserved.Important conversations are happening now. One particular bugbear of mine is comic plays where the men monopolise the wit, and the women are earnest, heartfelt or (worst of all) long-suffering. W hen I discovered the Bechdel test – created by graphic novelist Alison Bechdel in her 1985 comic Dykes to Watch Out For – I found it a revelation. I don’t believe it is un-feminist to ask how we can have relationships with men (because some of us do want to); to ask what makes a man a feminist and what we can expect from men; to ponder how we can achieve equality in our romantic lives. When I first learned about this test I scoffed, thinking, "There are plenty of movies that would pass that test." The Bechdel Test -- created by Alison Bechdel in her 1985 comic, "Dykes to Watch Out For" -- is a well-known measurement of gender bias in movies. Tap here to turn on desktop notifications to get the news sent straight to you.Sign up for membership to become a founding member and help shape HuffPost's next chapterWe made it easy for you to exercise your right to vote!Part of MultiCultural/HPMG News. If this simple gauge of gender inequality in film has Twilight winning over Gravity, there’s obviously something wrong. The study done by FiveThirtyEight last year found that movies that passed the Bechdel Test performed just as well at the box office as their failing counterparts. As I wrote my play How to Date a Feminist, I knew it would fail the Bechdel test because these questions are its major concerns.So I wanted to think about other ways of challenging myself to make feminist theatre. Are they victims or do they have power or seize power? (The Good Wife review: a legal drama that breezes the Bechdel testGravity (fail) and Twilight Saga (pass) … why the Bechdel test needs revised.Gravity (fail) and Twilight Saga (pass) … why the Bechdel test needs revised. All rights reserved.


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