In Shinji Aoyama’s An Obsession, a detective trails a woman who has murdered a cult leader, avenging her husband who was killed in a gas attack. It was recut starting last October by Junko Watanabe, an editor based in Paris who was an assistant on the Naomi Kawase film “Radiance.”Sakahara, who was previously associate producer on “Bean Cake,” the 2001 Palme d’Or winning short from David Greenspan, suffered lifelong damage and post-traumatic stress disorder. “Because of the language barrier, the dangers have never been shared in English fully, even though (Aum Shinrikyo is) active internationally.” “I personally believe a sense of humour is the ultimate freedom of mind,” Sakahara says. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Having published an autobiography a decade ago, Sakahara felt that he still had trauma he would like to work through by making a film. No, HBO’s incredible Scientology documentary, Going Clear, is not available on Netflix. Aum Shinrikyo, the Buddhist sect led by Shoko Asahara and responsible for the 1995 Sarin gas attack on a Tokyo subway, becomes the subject of this documentary. Aum Shinrikyo, the cult infamous for releasing sarin gas in the Tokyo subway, tried several times to disperse aerosols of anthrax. Doctrine. Bunyo Kimura’s Where Does Love Go? Mori’s controversial films offer a sort of reverse version of what is provided by Haruki Murakami’s book ‘Underground’, which collected interviews with a wide spectrum of members and victims. He has managed his recovery in a several ways, including through writing books, public speaking and broadcasting.His latest podcast “Before/After Aum” is seen as a primer to the film. Atsushi Sakahara, a survivor of the sarin gas attacks in Tokyo, unveils his documentary account of the Aum Shinrikyo cult and its continuing activities in “Me and the Cult Leader – A Modern R… Read Next: Adam Driver Starring in Sci-Fi Thriller ’65’ for Sony Pictures “I wanted to face them, I wanted to learn about them, and I wanted to overcome what I’ve been suffering from,” Sakahara says during an interview.Joyu was keen to be involved, but Sakahara pursued Araki instead. The AUM-related Incidents and Aleph. Araki’s life shares many parallels with Sakahara’s, and together they chronicle a moving portrait of humanity and reflection.“Me And The Cult Leader” (previously titled “Atonement”) was produced by Good People Inc. International rights are handled by Good Move Media, a Hong Kong-based sales-outfit, as part of its output deal with HKIFF Collection, the international sales arm of the Hong Kong International Film Festival.At project stage, the film was presented as “Aganai” as part of the HKIFF’s HAF project market in 2018, where it won the G2D Sound Award. He reached out to Fumihiro Joyu, a charismatic Aum spokesperson who formed a splinter group after the attacks, and to the quieter, more mysterious Araki, who had stuck with Aum.
We believe in Truth & Movies. The attack was carried out by members of the new religious movement AUM Shinrikyo (since 2000 called Aleph) and … These interview-led films explore – with an unparalleled level of access – the intimate workings of the disgraced, leaderless cult as it looked to rebuild itself after the attacks. Appeal for Charity Contributions. However, a stranger and more personal-feeling documentary is available to stream. The film follows Sakahara, who has been outspoken over the years following his presence at and resulting injury from the sarin gas attack on the Tokyo metro system on March 20, 1995.
In Me and the Cult Leader, filmmaker and survivor Atsushi Sakahara confronts both his own trauma and that of a nation.Atsushi Sakahara was one of those affected, a survivor who has spent the last two-and-a-half decades publicising the physiological and psychological effects of being caught in the attack. With Hiroshi Araki. My Scientology Movie, 2015.
“Evil is not in the beginning, evil. His response is eerily similar; his expression much the same.
A new documentary revisits the Tokyo gas attack 25 years on In Me and the Cult Leader, filmmaker and survivor Atsushi Sakahara confronts both his own trauma and that of a nation. In Juzo Itami’s Woman in Witness Protection, a woman witnesses the murder of a lawyer who is investigating a shadowy sect reminiscent of Aum.
Soon he had checkmated himself, and he was trapped in the cult.” Sakahara says that he “always wants to believe in the good in humans,” and that he hopes that he will still be able to convince Araki to leave the cult.
Aum Shinrikyo, which is also known as Aum and Aleph, is a Japanese cult that combines tenets from Buddhism, Hinduism, and is obsessed with the apocalypse. O n 20 March, 1995, members of Aum Shinrikyo, a doomsday cult founded in the late 1980s, released deadly sarin gas into the Tokyo subway system during rush hour. In it, Sakahara and Araki travel together back to the town where they were both born, in order to discover whether these two men, whose lives share a similar starting point but have taken divergent paths, have anything in common.It’s quite a peculiar set-up for a film, staged something like the early work of Louis Theroux or Michael Moore; earnest in approach and full of dark humour despite the difficult subject matter.
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