We are a vital workforce that needs to be cared for with direct financial assistance, not just grants to institutions or gifts to charities. How could we come back before that? Charlotte St. Martin, the president of the Broadway League, The goalposts keep moving because as a nation we are leaderless, battling a pandemic that doesn’t obey state lines, travel restrictions, or conspiracy theories. We aren’t just drama nerds in high school having fun in the auditorium, we are workers fueling an industry that brings in more ticket revenue than all our area’s professional sports teams combined. According to a study commissioned last yearBroadway not only brings in billions of dollars in tourism, it also sets New York City apart as the theatrical vanguard of the world. Fandoms collide as they interview every queer obsessed with a Queen. We love what we do, so it is thought that should be payment enough. Our job is at its essence, a large gathering.

We supplement our incomes with side jobs, commercial gigs, a television spot when we can get it—but none of these industries is open either. — Nick Westrate. Judy, Barbra, Aretha, Patti, Bette, Whitney, Diana, Cher, Tina, Liza, Madonna, Mariah, Tori, Bern Many of these are working-class jobs that have all been completely lost. We aren’t asking for “hand-outs,” we are demanding investment in an industry that is integral to our identity as a nation, and our economic survival.If we are going to come out of this pandemic with anything to live for, we must support and provide relief to arts workers until there is a vaccine.

No one in charge will say this publicly, but it’s what we are all privately acknowledging. We are the beating heart of the English-speaking theater world, providing 100 years of entertainment, and sometimes even truly singular works of art. And now, when we ask for strategic relief from our elected leaders, journalists call it a “hand-out.”I was very moved by the calls for arts relief in the United Kingdom. Or off set? This has led to a hobbling of our labor unions and a greater feeling that we need to be “grateful” to even have work. Infection rates would have to be decreasing rapidly. The goalposts keep moving because as a nation we are leaderless, battling a pandemic that doesn’t obey state lines, travel restrictions, or …

There are a few, absolutely, mostly in musicals. We take to social media to tear each other apart in order to distract ourselves from our dwindling paychecks and opportunities. Come listen as Jason Black and Nick Westrate dive into the Diva worship. We’ll be back in rehearsals,” then August, January.

We can’t live on one-time $1,000 grants from one charity. We need sustained support or we will not only lose the bravest, smallest theaters that produce the most daring and underserved material, but an entire generation of young artists, especially artists of color who are proportionally disadvantaged and unable to just “ride it out” with no jobs, health care or government relief. Browse 238 nick westrate stock photos and images available, or start a new search to explore more stock photos and images. A labor of love is still labor.The devaluing of labor over the last 40 years has been the rot at the centers of both American and British cultures. The financial life of an actor is an inconsistent patchwork. While countries like Germany and South Korea have successfully reopened theaters with distancing, temperature checks and contact tracing, our only choice seems to be, wait for an effective vaccine. But they’ve got better lawyers. Who was the Diva whose music wormed its way into your little brain and filled your heart with joy and wonder?

The swapping of air, fluids and touch is our paint and canvas.Most stage managers and actors make under $800 a week, and while we made incredible gains Off-Broadway in 2016 with the #FairWageOnstage movement, most actors barely make ends meet. Everyone wants some time frame to cling to, but producers and artistic directors can’t make a plan until the pandemic itself recedes.We are led by a vain, feckless demagogue who can only see as far as the next news cycle. I keep hearing how we can explore “socially distanced theater” pieces, but I don’t know how that could possibly work—not on an industry-wide scale that would sustain our theater companies, Broadway, touring productions and the vast number of workers they employ. Shows close, have limited runs; actors are injured, or replaced. They wanna hear about it. American theater workers—struggling to survive as theaters remain closed—urgently need financial help. He is survived by his wife, the great actor, teacher, and friend, Janet Zarish. At first we heard, “Late July! Very few actors work on Broadway for an entire year. We would like to show you a description here but the site won’t allow us. Sustained investment would ensure that our nation’s invaluable cultural institutions can return to the communities they serve in the same integral way, and provide the same economic force that spurs state economies to rapid growth.The airline industry got $50 billion of relief, yet the arts and culture sector adds $265 billion more in value-added to the economy than the entire transportation sector. Unless I can get back to work I will lose it in October, right in time for the cold weather during a worldwide pandemic. Many were also left battling COVID-19. We contribute to this country’s mind, heart, soul, and wallet. That number is even lower for Black and Indigenous actors, and for all actors of color.When the coronavirus pandemic hit New York City, hundreds of Broadway shows closed immediately. Easy cheap rapid testing would need to be available at rehearsals, alongside temperature checks.But how do you regulate everyone’s behavior outside of rehearsal? My friend, the brilliant actor Noma Dumezweni, brought it to my attention.



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