Characterizing himself as “an installation artist who works with paintings,” Keith Mayerson brings together his lush paintings and drawings into salon-like arrangements to narrate the story of his own life, while exploring the social, political, and historical context of our time. Equally enamored of comics and Proust, Characterizing himself as “an installation artist who works with paintings,” Keith Mayerson brings together his lush paintings and drawings into salon-like arrangements to narrate the story of his own life, while exploring the social, political, and historical context of our time.

However, I was nervous to exhibit the painting for fear of how people might react. © Keith Mayerson; courtesy the artist and Derek Eller Gallery, NY.

Opening Reception Thursday, October 17, 6-8pm . His exhibitions are often installations of images that create larger narratives.





Each work is imbued with allegorical content that relates to the world, yet allows through its formal nuances for the transcendent and sublime. Keith Mayerson (b. C21           Commentary, “Art F City, (art blog), Dec. 6           Towards the Dove (online), Monday, May 202012   Penn, Asher, “Keith Mayerson” (Interview), SEX Magazine #2           Art,” Anne Frank Unbound: Media/Imagination/Memory, Barbara Kirshenblatt-          Gimblett, Jeffrey Shandler, eds. His representational paintings conflate images of popular culture and personal experience into a relational universe, asking the viewer to engage with and between images as a group.

Summary.

Reflecting the painter’s lifelong interests in fine art and the language of comics, Keith Mayerson’s My American Dream presents a nonlinear narrative that he asks the viewer to complete. Back to Artist Signature Library. Put Up or Shut Up , New York Academy of Art, New York, NY. In 1993, he earned his MFA from the University of California Irvine, and is now Professor of Art at the University of Southern California and Chair of Painting and Drawing.



June 26 – August 31, 2014

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Oil on linen, 56 x 70 in.

“Each of my shows is like a book on the wall,” he describes, “with each image complementing the other…together constitut [ing] an …



His exhibitions are often installations of images that create larger narratives. After painting this work (and the other triptych now in the Corcoran Gallery) I was gratified in the sense that I no longer had the nightmares of that morning and its victims.
Derek Eller Gallery is pleased to present an exhibition of new paintings by Keith Mayerson. Photograph by Tom Powel Imaging Born 1966 in Cincinnati, OH

Keith Mayerson, "Half Dome in Winter," 2017, oil on linen, 40 x 60"Keith Mayerson, 'Liberty," 2018, oil on linen, 82 x 80"Keith Mayerson, "Moses (Harriet Tubman)," 2018, oil on linen, 40 x 30"Keith Mayerson, "Obama and the 9-11 ptg at the Whitney" (after Pete Souza), 2018, oil on linen 40 x 60"Keith Mayerson, "Stonewall (after Fred W. McDarrah)", 2018, oil on linen 60 x 40"Keith Mayerson, "Unerased de Koonings," 2019, oil on linen, 36 x 33"Keith Mayerson, "Wonder Woman (after William Moulton Marson & Harry G. Peter)," 2017, oil on linen 60 x 42"Installation of "My American Dream" exhibition at the Whitney Museum (2015)Keith Mayerson, "Grand Canyon," 2016, oil on linen, 50 x 70"
American, b.

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Good Leaders, Endangered Species, Ships at Sea, Part. October 17 - November 15, 2008 .

Keith Mayerson is a contemporary American painter known for his work depicting historical figures, family snapshots, urban landscapes, and more.

Indiana University Press Observer.com, May 7            McCarthy,” Suzanne Tarasieve Gallery, Paris2011   “Portrait of Kevin Kelly,” (commissioned artwork), The Journal, Winter 1999           Volume 2 (Back Cover) (illustrations), magazine produced by the Red Hot           Organization, included with album compilations            (commissioned assignment), Interview, February, p. 40          “Graduate Play Festival,” Directed by David Savran and Ronn Smith, Leeds Theater Keith Mayerson.



1966. His graphic novel  Keith Mayerson has professionally exhibited his art in galleries and museums since 1993. The works stand on their own for form and content, but like a prose poem of images on walls, experienced in context the images as a series, the viewer creates the ultimate meaning for the installations.




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